theatre review - THE SANTALAND DIARIES - Arizona Theatre Company - December 17, 2015

Ron May
photo: John Groseclose

Click here for more information on this productions which runs through December 23rd.

Well-known humorist and author David Sedaris got his first big break back in the early 1990s when he spoke on NPR about his miserable, real-life experience working as an elf at Macy's Santaland. ...Arizona Theatre Company is presenting a well-directed production of Sedaris' humorous tale starring Ron May who does well in delivering Sedaris' snarky persona. It results in a biting holiday remedy that is a perfect counterpoint to the dozens of saccharine sweet Christmas theatrical offerings around town. ...  From overeager children to demanding parents and even some innocent foreigners who have just wandered into the wrong line by accident, these moments make up the bulk of the play and are where Sedaris and May excel in showing us the true nature of individuals who are just trying to get through the holidays. The Santaland Diaries is more of a character study than a full-fledged play, with an ending that hints at happiness but pulls back in delivering anything remotely cheery. May's natural sly appeal works well in delivering Sedaris' tart and comical observations, though there are hints of sweetness and vulnerability beneath his well-mannered delivery—but just a few...He also works well to ensure the part becomes that of an "every man" who is familiar to anyone who took a job because they were desperate or who has had to deal with irate customers. Director David Ira Goldstein's clear direction keeps May's performance truthful and never over the top and manic, thereby retaining the realism of the piece. ...The Santaland Diaries is perfect counter programming for anyone who is looking for a theatrical holiday alternative. Depicting crude yet honest experiences, it may highlight more of the cynicism of the holidays, especially in how it brings out the best and the worst in people, but there is an ember of seasonal warmth burning inside Crumpet's heart—underneath that ugly, green felt costume."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - A CHRISTMAS CAROL - December 13, 2015

Katie McFazen
photo: John Groseclose

"When you combine the power of Charles Dickens' words and the spectacular acting abilities of Valley favorite Katie McFadzen you get the dynamic one woman solo version of A Christmas Carol. ....ATC is presenting a straightforward production in which McFadzen recites Dickens' original story to us. But she doesn't just stand and read the story, she hurls herself across the stage using her adept body language and strong voice inflection to not only become the numerous characters but to add dramatic and moving moments to the narrative....it has the essence of the novel come to life....Under Matthew Wiener's expert direction, McFadzen does an excellent job of portraying not only all of the shadings and layers of Scrooge—from gruff, conflicted, sad, and miserable to reflective, joyful, and introspective once the ghosts work their magic on him—but also every other character in the story as well...Paul Black's lighting designs are impressive and always changing...The sound design from Brian Jerome Peterson is lush and evocative...A Christmas Carol is a wonderful story of how it is never too late to change for the better and, consequently, how, by doing so, we can also change the lives of those around us. With Dickens' original words, McFadzen's glorious acting abilities, and Wiener's assured direction, ATC's production is a beautiful throwback to the traditional form of storytelling...a magical experience."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY - Arizona Broadway Theatre - December 11, 2015

Tim Shawver, Timothy Pittman, Katie Larson, Traci McCormick,

Marshall Glass, and Devon Nickel

photo: Kat Barnes

 "The idea of turning the classic film It's a Wonderful Life into a successful theatrical production seems like a destiny for failure. How can you take the heartfelt performance of Jimmy Stewart and the stellar direction of Frank Capra, both of whom were nominated for Academy Awards, and make this story succeed on stage? Turns out you can make it work if you think outside the box, and that is exactly what playwright Joe Landry did when he turned this classic story of love and redemption into a "live" 1940s radio drama. With a talented cast and sure-footed direction, Arizona Broadway Theatre's production of this well-known story soars. In Lawry's 1996 stage adaptation of the 1946 Capra movie the film becomes a radio drama...The cast of six take turns speaking into the microphones, with scripts in their hands, as they portray the dozens of characters in this beloved story of George Bailey, the idealistic and self-sacrificing man, and Clarence the angel who comes to George's rescue one Christmas Eve when he considers ending his life....With just one very small exception, Tim Shawver's direction is flawless in how he achieves an abundance of superb performances from his small cast that are an homage to the film actors' portrayals of these characters while also conveying original touches to each part. Marshall Glass brings a lovely sincerity to George. ...As Mary, the woman George is in love with, Katie Larson is warm and engaging..Timothy Pittman brings an abundance of joy and a sense of playfulness to Clarence while Traci McCormick is appropriately flirty as Violet, the small town girl with big town dreams. ...Shawver portrays numerous parts including Potter, the antagonist of the plot, and George's simpleton Uncle Billy, both of which he plays skillfully. ...Devon Nickel is the young, newbie sound effects guy who also plays a few small parts in the radio drama. ...The character is also somewhat over eager with occasional sound effects mix-ups bringing an added comical touch to the evening. My only complaint is that one of these moments happens in a very dramatic point in the story, and goes on for too long, thus downplaying the effect of that scene. Landry's idea of turning this classic tale into a radio play makes for a fresh and inventive way of reconnecting with the classic story of love and redemption. ABT's cast does an excellent job of bringing these memorable characters to life. The end result is a holiday treat for fans of the film, those who have yet to discover the movie's joys, and also anyone who likes to experience different types of theatrical endeavors."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE QUILTMAKER'S GIFT - Theater Works - December 6, 2015

Joshua Vern and Barbara McBain

photo: Wade Moran

"The joy of giving and helping others is at the heart of the holiday season and the musical The Quiltmaker's Gift focuses on the benefits one receives when doing these types of philanthropic work. Theater Works presented the musical comedy last year and it returns this season with an even better cast who turn the production into a joyous, moving endeavor. ...Based on the children's book by Jeff Brumbeau... has a fun and varied musical score, with music by ... Craig Bohmler and witty, charming lyrics by Steven Mark Kohn, and a humorous yet moving book by Alan J. Prewitt...Cydney Trent, who choreographed last year's production, returns but now also takes over the director role. She does a fine job with the fun movement for the cast, elicits plenty of laughs from the life lessons of the story, and achieves fun and also touching performances from her cast. Theater Works' production features the same colorful and inventive set by Thom Gilseth, lavish and lovely costume designs by Tamara Treat from last year as well, and Joshua Vern who returns as the King. Vern is even better than last year as the greedy, brat of a king.... Barbara McBain is just as good as the Quiltmaker. ...Vern and McBain have fun together and play off each other very well. McGrath's lilting voice brings a tenderness to her songs. Theater Works Executive Director Daniel Schay portrays the old man who tells the story of the Quiltmaker and the King and he brings a playfulness to the part. ...Almost everyone was taught that "it's better to give than to receive," and that simple life lesson resonates throughout The Quiltmaker's Gift. That statement is something every one of us, no matter what age, should be reminded of at this time of year. With a fun musical score and a story filled with colorful characters, the Theater Works production has the right combination of great casting and colorful creative elements to make this simple story a joyful holiday treat for theatergoers young and old."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - SANTA CLAUS CONQUERS THE MARTIANS - All Puppet Players - December 5, 2015

Kyle Coughlin

photo: All Puppet Players

 "Shaun Michael McNamara and his All Puppet Players usually take well-known films and books and turn them into humorous puppet theatrical spoofs that are also full of plenty of R-rated adult material. ...So it's a bit of a departure that their latest offer is a family friendly send-up of one of the worst films ever made, Santa Claus Conquers the Martians, and one that hasn't had anywhere near the cultural impact of those other titles. While the lack of familiarity of the movie does mean audiences won't anticipate what's coming ...Santa Claus Conquers the Martians still results in a silly, fun time.... The basic premise follows a group of Martians who decide to go to Earth and kidnap Santa Claus to make their Martian children have more fun. ...The team of Martians who go to Earth are played by Zack Funk, McNamara, and Nathan Spector, with each of them delivering a unique, comical and even heartfelt performance....Kyle Coughlin is the perfect embodiment of Santa Claus, full of care, love and sweetness, even to the Martians who abduct him, while Michael Margetis and Emily Lynne Aiken are hilarious as the children who get swept up in to the Martian plot. David Chorley's swift direction keeps the show moving at a quick clip with scene changes that are faster than some past All Puppet Players production..the puppet designs are superb with the green-hued Martian puppets, which are in various shades and sizes, spectacular and Chorley, and Newell's sound design provides plenty of fun music moments....the evening still runs a bit long. However, with a game cast who play up the comical and somewhat idiotic moments of the original film it amounts to a humorous and fun departure from the usual holiday theatrical productions in town."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - NON-FAT SOY PEPPERMINT LATTE...WITH SPRINKLES - Brelby Theatre Company

Courtney Kenyon and Clayton Caufman

Photo by Fernando Perez

 "...there have been dozens of theatrical adaptations of Charles Dickens' "A Christmas Carol"—several of which are produced every December in Phoenix. So it's refreshing to see a relatively new, modern holiday play that pays homage to, but isn't a rehash of, Dickens' classic tale of redemption and also includes elements of another Christmas classic, It's a Wonderful Life. Brelby Theatre Company's original drama, Nonfat Soy Peppermint Mocha Latte ... with Sprinkles, is a smartly written play that includes touches of comedy, good leads, and tight direction, resulting in a moving modern update to these familiar Christmas stories. Hardworking Daren doesn't enjoy the holidays due to some bad family events from his past. When his co-worker Trish has problems coaxing Daren into the holiday spirit, it is up to their local barista, who just happens to also be a "spirit-in-training," to take matters in to his own hands. Playwright Brian Maticic's story is fairly simple yet includes enough plot twists, tender moments, and character specific dialogue to achieve a rich dramatic story...Director Melody Chrispen does a good job of eliciting realistic performances from most of her cast....As Daren, Clayton Caufman is appropriately rude and self-centered to the people around him, though we occasionally see a glimmer of hope when he speaks to Trish.... Courtney Kenyon is especially convincing as Trish, making her not only genuine and lifelike but creating an honest, normal person in the process. Caufman and Kenyon are so good at portraying these people that you root for them and want to see them end up together. Zachary Arnold brings a pleasant sense of playfulness to the part of the Spirit, a nice counterpoint to the seriousness of Caufman's portrayal of Daren. Arnold also has good comic delivery. ...In Nonfat Soy Peppermint Mocha Latte ... with Sprinkles, the Spirit tells Daren that "love, cheer and friendship" is all he needs to truly enjoy the holidays. Brelby's production of this modern tale is a fine updated homage to classic Christmas stories, with very good leads, that gets to the heart of what those three simple words so effectively convey and how they are what we all need to not just enjoy the holidays but life as well."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - HEATHERS: THE MUSICAL - Stray Cat Theatre - December 4, 2015

Cole Brackney, Brittany Howk and Sara Sanderson
photo: John Groseclose

Click here for more information on this production that runs through December 20th.

"The satirical 1988 black comedy film Heathers has been turned into a nifty musical...Laurence O'Keefe and Kevin Murphy's adaptation also includes plenty of added comical moments and even a huge jolt of tenderness. Stray Cat Theatre presents the Arizona premiere of the pop rock musical in a smartly directed and well-cast production that perfectly portrays the struggles of high school and the neverending desire to fit in—no matter what the cost.... focuses on a high school in a fictional Ohio town where the popular kids, especially a trio of girls who are all named Heather, running the school. When Veronica, a former high school nobody, manages to join the trio it makes her popular but also forces her to serve as the protégé and lackey for the group. A budding romance after a run-in with new kid J.D. finds Veronica's life changed even more. When she realizes that the mean-spirited girls and other popular kids in the school are dangerous to the kids they don't like—she is forced to partake in some of the bullying herself—the mysterious, rebellious loner J.D. makes plans with her to get back at their fellow students.  Though the score isn't completely perfect... has several well-constructed numbers with witty, smart lyrics and recurring musical motifs that blend dialogue and character development, and drive the plot...Stray Cat's cast is just about flawless, with an exceptional turn from Brittany Howk as Veronica that gets to the heart and soul of this conflicted girl..J.D. is damaged, and (Cole) Brackney expertly, and slowly, lets us and Veronica realize that his character may be beyond repair. He and Howk also portray a realistic couple—murderous warts and all. As the three Heathers, Sara Sanderson, Taylor Moskowitz and Elyssa Blonder are all excellent at presenting three women who are very different from each other and believe that everything and everyone exists for their personal amusement. ...Director Louis Farber ...doesn't let the darkness of the story get downplayed as he allows the tenderness of the story to occasionally peek through, especially in the moving ending that culminates in showing the emotional impact of the struggle of getting through high school.... While Peter Bish's sound design is fine, on opening night there were numerous sound glitches and several times when the band overpowered the cast or lines of dialogue were completely lost. I'm not sure if these issues can easily be overcome or if this is just too big, and too loud, of a show for the Tempe Performing Arts Center.......Heathers: The Musical, while at times hilarious, is unflinchingly honest and smart and even strangely uplifting." -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - CINDERELLA - Theatre Artists Studio - November 28, 2015

Devaune Bohall and Eric Bond

Photo by Mark Gluckman

Click here for more information on this production that runs through December 13th.

 "The classic fairy tale of "Cinderella" has spawned numerous film and theatrical adaptations. While the Disney animated film and the Rodgers and Hammerstein musical are probably the two most well-known versions, Portland musician Ezra Weiss has crafted his own musical take on the tale. This version is what Theatre Artists Studio in Scottsdale is currently presenting and, while it won't erase the magic or memorable tunes from those two more popular adaptations, it does have a few fun modern updates and results in a charming take on the classic tale....Weiss still puts the main focus of the story on the relationship between Cinderella and the Prince and the Prince's efforts to find her once she is forced to leave the ball when midnight comes. But Weiss has the story told by the Prince's page Armando, who serves as a comical narrator, and makes the main aspiration for both Cinderella and the Prince their need to dance and find an appropriate dance partner—the possibility of marriage is just a happy added benefit that comes with finding that person....Weiss does a good job of combining the "let's put on a show" mentality of the Prince and Cinderella's love of performing and dancing with the classic fairy-tale story and in doing so finds a nifty way to combine the shared similarities of the two genres. However, most of Weiss' songs aren't that memorable. However, the repetitive "I Just Wanna Dance" has a catchy tune and the jazz influence in many of the songs is a benefit, as are the fun lyrics. The style of music also allows for plenty of tap dancing in the show. The cast are all having a fun time portraying their updated, modern characters. Devaune Bohall and Eric Bond are charming as Cinderella and Prince Bobby, both bringing a natural ease and determination to their parts. Stefan Linder is a joy as the suave Armando, and Kathleen Berger is appropriately sassy and direct as Cinderella's fairy godmother....Director and choreographer Hilary Hirsch keeps the energy high and the sappiness low and also instills a playfulness into the whole production. ...With a modern update, Ezra Weiss' Cinderella is a fresh take on the classic tale. While his score is only serviceable, he has crafted a quick-moving script with fun updated characters who show that simply fulfilling the desire to dance, and finding the right dance partner, is how one can live happily ever after. Theatre Artists Studio's production is a charming way to spend 90 minutes and will most likely be a welcome change to the familiar adaptations of the famous story, especially for younger fans of the fairy tale who know the Disney film by heart."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre reviews - A CHRISTMAS CAROL - Arizona Broadway Theatre - November 27. 2015

James Rio and Jamie Parnell

Photo Courtesy of Arizona Broadway Theatre / MikeBPhoto.net

Click here for more information on this production that runs through December 27th.

From one-person shows to full blown musicals, Charles Dickens' "A Christmas Carol" has spawned dozens of different theatrical adaptations...Arizona Broadway Theatre's production of the 1994 musical adaptation of the tale is full of life and emotion that gets to the heart of the timeless tale of redemption.  Dickens' tale of the miserly and selfish businessman Scrooge shows how visits from four ghosts, including his former business partner Marley, help him see the mistakes of his past and better understand the less fortunate people around him, especially his employee Bob Cratchit and Cratchit's young crippled son Tiny Tim. ...Conceived by Madison Square Garden in 1994 as competition for Radio City Music Hall's Christmas Spectacular,...this adaptation, with music by Alan Menken, lyrics by Lynn Ahrens, and a book by Ahrens and Mike Ockrent, sticks close to Dickens' original story structure, incorporating many direct lines of dialogue from Dickens' novel.... But there is also plenty of razzle dazzle added in, with elaborate dance sequences, in order to turn it into a full blown Broadway-style musical...while it is mainly through sung, with virtually non-stop music throughout and very few moments between songs for applause, it still manages to effectively incorporate all of the major characters and plot points from the book. ...Menken and Ahren's score is top notch, with interwoven melodies, themes and songs, several of which are reprised later at appropriate moments....Ahren and Ockrent's book includes several comic moments that help balance, but never overpower, the emotional story of Scrooge's journey to redemption. ...ABT's creative aspects and cast are just about perfect, with James Rio giving a fine performance as the heartless Scrooge....Director Joseph Martinez does a very good job of staging the almost always moving scenes with a grace that allows the important moments to land. Kurtis W. Overby provides a decent amount of well thought out choreography throughout and the two work together seamlessly to ensure that the many large group numbers never seem muddy.... The exquisite costume designs by Martha Clarke, with additional designs by Lottie Dixon and Amanda Gran's wig designs, create some stunning effects most especially for Marley, his fellow ghosts, and the stone angels in the cemetery scene. Since the score is virtually non-stop, having a great music director is key and Mark 4Man provides his usual superb direction. ...There have been many adaptations of A Christmas Carol, yet I doubt any achieve the result of this musical version, which wisely adds humor and several showstopping songs to elevate the tale of Scrooge in to a big, brassy Broadway musical. While purists may have a problem with some of the changes, it is definitely an entertaining and memorable musical version of Dickens' story. With impressive creative elements that include some great special effects, a wonderful cast that does justice to Dickens' characters, and clear, well thought out direction and choreography, ABT's A Christmas Carol is a wonderful presentation of this magical adaptation of the beloved story and the perfect kick-off to the holiday season."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - A YEAR WITH FROG AND TOAD - Childsplay - November 21, 2015

Jon Gentry and Dwayne Hartford

photo: Tim Trumble

Click here for more information on this production that runs through December 27th.

"The many benefits of having a very good friend are at the heart of A Year with Frog and Toad. Based on the popular children's books by Arnold Lobel, the musical follows one year in the lives of best friends Frog and Toad as they perform daily chores and do various things together to enjoy the seasons. Childsplay's production of this family friendly show is full of vibrant characters and colorful creative elements that result in a winning fun-filled production with humor and heart. Using several of the stories from Nobel's books, along with a few of their own, brothers Robert and Willie Reale adapted Nobel's books into an upbeat, two act children's musical, but one that adults will enjoy as well. ...Robert Reale's varied score includes several toe-tapping numbers and even a sweet ballad. ...Frog and Toad are written as a typical comic duo, with Frog being the straight man and Toad the comical sidekick. Dwayne Hartford and Jon Gentry play up those aspects of their roles beautifully with Gentry very funny as the worrisome, impatient, and insecure Toad and Hartford downright charming as his sensible, best friend Frog. The two play off each other very well. Since there are only three other actors in the cast, it could be perceived as a relatively small show, but those three portray numerous other creatures that inhabit Frog and Toad's forest world. And they all portray them very well, with Yolanda London especially sassy as several characters, David Jones is a hoot as the slow moving snail, and Christiann Thijm sweet as the baby Frog....Director David Saar provides a good balance for the piece, ensuring that the serious moments land but also playing up some of the comical moments. In doing so he makes sure the children in the audience will never get too restless, as there is almost always something fun or silly happening on stage. Choreographer Molly Lajoie does a lovely job of recreating the steps originally designed by Michael Barnard, and the fun, varied, and syncopated steps are well danced by the cast. Creative elements are top notch and colorful...Everyone knows what it's like to have a best friend, someone who you share things with, occasionally get upset with, but trust through thick and then. The beauty of both Lobel's original books and this musical adaptation is that they clearly show the bond that two friends have along with the fun and little things that make those friendships work...."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - A CHRISTMAS STORY, THE MUSICAL - National Tour / ASU:Gammage - November 24, 2015

Christopher Swan
Photo Courtesy of Big League Productions, Inc.

Click here for more information on this production that runs through November 29th.

"The 1983 quirky film A Christmas Story is the latest holiday "classic" movie to get a musical adaptation. Based on radio humorist Jean Shepherd's stories of being a boy in Indiana in the 1940s, the film and musical follow young Ralphie's quest to get a Red Ryder BB gun for Christmas. The movie can be seen in heavy rotation during the holiday season on cable TV and the musical captures just about every humorous, odd ball, and touching moment of Ralphie and his family's Christmas story in a whimsical and heartwarming style. After performances in several cities, the show made its Broadway debut three years ago, where it received several Tony nominations, including ones for Best Musical and Best Score. The current touring production has a winning cast and features creative elements on par with the Broadway production and is a fun way to kick off and celebrate the holiday season. The story centers around a traditional middle-class family who is trying to do what needs to be done not only to survive but also to make it through another Christmas season. The musical sticks fairly close to the film and brings to life many of the iconic, quirky, comical scenes from the movie...These humorous moments and phrases, and the touching story at the core, are what have made the movie a classic. Joseph Robinette wrote the book, and the music and lyrics are by Benj Pasek and Justin Paul, all of whom made their Broadway debuts with this production....While not all of Pasek and Paul's songs are exceptional, there are varied song styles including some big splashy numbers and a couple of comical tunes, all with fun lyrics, and several songs are also catchy toe tappers....Robinette's book includes a lot of narration for the character playing Jean Shepherd and, while it works to move the plot forward, it is a bit of a downside because, while Shepherd is weaved throughout the show, they really haven't found a way to seamlessly incorporate him into the show. He seems more like an outsider to the events happening in front of him. Chris Carsten is Jean Shepherd, the narrator...(he) has the right amount of balance in his delivery, not only in the fondness he has looking back but also at the memory of all of the things that went wrong in the process of his attempt to get that BB gun. As Ralphie, Myles Moore projects a good sense of fear, determination and desperation that any child has when they want something but see many obstacles in the way of achieving their goal....He also has a wonderful relationship not only with Christopher Swan and Susannah Jones who play his parents but also with Josh Turchin who is hilarious as Ralphie's younger brother Randy. ....Lenz and Carlyle also make excellent use of the children in the ensemble.. the fantasy scenes are well staged with fun choreography. The creative elements are top notch as well, and are based on the Broadway designs....The national tour of A Christmas Story, The Musical is a well done adaptation with a nice theatrical score, winning performances, fun choreography and a well-used ensemble. While it helps to have seen the film to experience the many funny moments played out on stage, even if you haven't you will still find much to like about the show. I don't need to triple dog dare you to go, just go and have a wonderful time with this crazy and touching family."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE WIZARD OF OZ - Phoenix Theatre - November 20, 2015

Ryan Kleinman, Carly Nicole Grossman, Toby Yatso and Robert Kolby Harper surrounded by the Cast
Photo by Erin Evangeline Photography

Click here for more information on this production that runs through December 27th.

"The enduring popularity of The Wizard of Oz is apparent from the fact that there have been a half dozen different stage productions of this family-friendly classic musical in the Phoenix area just in the past six months. However, the best production of the group is the latest, an eye-popping, colorful, and magnificent production from Phoenix Theatre that features a lovely performance by young, local actress Carly Nicole Grossman as Dorothy....Director Michael Barnard has assembled a very good cast composed of many Phoenix Theatre favorites who are all gifted in paying homage to these familiar characters from the film, yet at the same time adding nuances and layers so they aren't just carbon copy reproductions. As Dorothy, 18-year-old Carley Nicole Grossman exhibits a wide range of emotions. Her smart acting choices provide an emotional connection for the slightly self-centered and misunderstood yet endearing young girl. Grossman's powerful, clear voice excels on her many songs, including a sensational version of "Over the Rainbow."...As the three men Dorothy meets on her journey, Robert Kolby Harper is hilarious as the Cowardly Lion, playing up the "dandy" part very well; Toby Yatso is endearing and sweet as Scarecrow, with confused looks and statements that are just right for a man with no brain; and Ryan Kleinman uses a soft spoken nature and strong, clear singing voice to instill the Tin Man with plenty of heart. ...Michael Barnard's direction adds plenty of original touches but allows fans of the film to experience the familiar, well-loved moments from the movie as well...Choreographer Nathaniel Shaw provides some fun staging but it is the non-stop frenzy of "The Jitterbug" that shows off how skilled he is, elevating this number into a huge crowd pleaser. Only the tornado sequence, with the ensemble members dancing and jumping around with long pieces of cloth to signify the raging storm, is a bit of a disappointment. Creative elements are, as usual at Phoenix Theatre, exceptional. ...Whether you've seen the film one time or a hundred times, the story of Dorothy and her journey to Oz is still thrilling, touching and extremely heartwarming. With a very talented cast, impressive creative elements, and exceptional choreography and direction, Phoenix Theatre's production of The Wizard of Oz is just about perfect. Fans of the film should enjoy the creative touches that bring the story to life on stage while also appreciating the added elements that allow it to not just be a carbon copy creation of the film."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE DROWSY CHAPERONE - Desert Foothills Theater - November 15, 2015

Matthew Harris
Photo by Tiffany Bolock

Click here for more information on this production that runs through November 22nd.

"The only people who break out into song in real life are the truly deranged," states Man in Chair, the narrator of the musical The Drowsy Chaperone. While he makes this comment in explaining how ridiculous musicals are, since people do often break out in song at the drop of a hat in them, he also loves musicals. In fact, you could say he Loves them with a capital "L." His infectious love for them, and for one show in particular, is what makes this musical such a joyful experience. Desert Foothills Theater's production of this Tony winning show features an amazing, heartfelt, and moving performance from Matthew Harris as Man in Chair that more than offsets this production's few drawbacks.  The show is set in the apartment of a single man who decides to play the cast recording of his favorite musical, The Drowsy Chaperone to cheer himself up. This fictitious 1928 show is one that he says perfectly achieves the escape from reality that musicals can provide. As he plays the record for himself and for us (as the fourth wall is fairly nonexistent in this show), the musical comes to life in his apartment with many of the characters from the show emerging from his refrigerator. He also frequently stops the record at appropriate moments to give us information and his analysis, most of it comical, about both the plot and characters of the show and some interesting facts about the actors who played these parts in the 1928 production.....The way that Harris portrays how obsessive Man in Chair is about this particular musical is endearing, but when the character speaks about himself, his past, and his feelings, Harris turns him into the heart and soul of this show—a heart and soul that we want to protect. Harris' performance is so good and touching that I was almost moved to tears at the end of the show when he reveals some personal information about Man in Chair. ...Emily Noxon is an absolute riot as the Drowsy Chaperone. With her vapid line delivery that perfectly evokes the Chaperone's cynical view of life and an ever present martini glass,...However, several members of the cast falter a bit on their vocals with their singing not quite up to par with Noxon and the rest of their castmates. Co-directors Jere Van Patten and Marisa Brady ensure that the mood of the piece never falters, which is impressive considering it changes from comedic to serious and back a few times throughout the show. It's just too bad that all of their cast, including the ensemble, aren't up to the caliber of Harris. ....While there may be a few flaws in DFT's production of this Tony winning musical, Matthew Harris' performance and his expertly delivered comedic, insightful, and personable commentary help the entire production rise above the shortcomings and turn it into a comical and memorable show. You will definitely laugh a lot, but with the connection to the material and the character Harris provides, you will most likely be moved as well."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - MIRACLE ON 34TH STREET - Desert Stages Theatre - November 13, 2015

Click here for more information on this production that runs through January 10th.

Josephine Raia and Dan Ashlock
photo by Heather Butcher

 "Valentine Davies won an Academy Award for coming up with the original story for the 1947 classic film Miracle on 34th Street. This heartwarming holiday story, which pits a man who believes he is Santa Claus against a cynical mother and her daughter, has been adapted into a theatrical version which also features the familiar, feel-good themes of the movie. Desert Stages Theatre presents a fine production of Davies' familiar tale that includes a delightful performance by Dan Ashlock as Kris Kringle....Director Virginia Olivieri gets effective, heartfelt performances from her cast who are up to the challenge of bringing this well-known story to life. Dan Ashlock is simply lovely as Kris. He is charismatic and genuine, with the appropriate twinkle in his eye that makes you believe he is the real Santa. Kellie Dunlap and Keaton Honaker are Doris and Fred. They make a cute, realistic couple, with Honaker especially charming and good in the courtroom scenes. ......Since the film is so well known, the play version of Miracle on 34th Street may be an unoriginal way to spend the holidays, especially since the theatrical version doesn't add much to the original film plot. However, the charming story, likable characters, and heartwarming themes are still meaningful. Even if you know the film plot twists by heart, with good performances from the leads, including a touching turn by Dan Ashlock as Kris Kringle, and firm direction, you will most likely have an enjoyable time seeing the this version. Don't be surprised if you find yourself holding back tears as well."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - DISGRACED - Arizona Theatre Company - November 14, 2015

Elijah Alexander, Allison Jean White, Richard Baird and Nicole Lewis
Photo by Tim Fuller

Click here for more information on this production that runs through November 29th.

"It isn't often that world events explicitly impact the timing of a theatre production, but that happened this weekend with the opening of Arizona Theatre Company's production of Ayad Akhtar's Disgraced. Opening the night after the recent terrorist attacks in Paris, the topic of Akhtar's 2013 Pulitzer Prize winning play, in its Arizona premiere at ATC, had even more relevance since the play deals with the preconceived notions that many have of Muslims being tied to terrorism. While ISIS isn't specifically mentioned in the piece, the threat of the next major terrorist attack is, along with how the misunderstanding of the Islamic religion is being used to spread incorrect facts. But Muslims aren't the only ones on the hot seat as Akhtar also interweaves the play with the racial and ethnic prejudices that many believe. Akhtar's play is an exceptionally well crafted and explosive expose of the beliefs that many people harbor, concerning religion and politics, but don't often speak out loud, and this production has a firecracker cast, smart direction, and superb creative aspects, resulting in a not to be missed event.....Akhtar's dialogue is smart, with realistic characters and truthful relationships, and the entire play is engaging. While a couple of the plot points are slightly forced and the ending could be more focused, he does raise many valid questions. Can a person turn against the way he was raised and the beliefs he was taught by his family and his religion? Or do those thoughts never truly go away but continue to linger and gnaw away at the person?...Even the title of the play provokes questions. Are Amir and the other characters the ones who feel disgraced by their thoughts and the events that their beliefs provoke, or are we the ones who should feel disgraced by how the play makes us question the beliefs and feelings about others that we have tried to bury deep inside? ...Director David Ira Goldstein skillfully directs the production to keep the tension ever rising but also allowing Akhtar's many very funny moments to come through in a realistic manner, while ensuring that the serious topics that arise never take a back seat. He also has cast the play with an exceptional group of actors, all able to portray their characters and the relationships they have with each other realistically. ...Disgraced is a humorous and harrowing, smart and brutal drama that is ultimately about how no one and nothing is quite what it seems. But it also shows that when confronted, the truth of what people believe comes out and we clearly see how they really feel. Arizona Theatre Company's production of this Pulitzer Price winning play is exceptionally well cast, designed, and directed and results in great theater with plenty of food for thought."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

cabaret review - ALAN CUMMING: UNCUT - Scottsdale Center for the Performing Arts - November 7, 2015

"Alan Cumming is a Tony winner, a New York Times best-selling author, and a multiple Emmy and Golden Globe nominee. At his recent sold out concert at the Scottsdale Center for the Performing Arts he also proved to be a gifted storyteller, delivering an evening filled with humorous personal stories and an eclectic mix of exceptionally well sung songs. Performing songs associated with a wide range of artists, from Annie Lennox to Billy Joel, Lady Gaga, Rufus Wainwright and even Miley Cyrus and Elaine Stritch, the concert, entitled Alan Cumming: Uncut, also featured heartfelt stories about his family as well as a few adult tales from his sordid past, including several cheeky stories about Cumming's foreskin. Well, the evening was called Alan Cumming: Uncut after all....There wasn't a bad musical choice in the entire set list. Some of the more personable song highlights were numbers that Cumming dedicated to his father, his grandfather, and his home country of Scotland. These included an expertly sung rendition of Billy Joel's "Goodnight Saigon," which Cumming sang as a tribute to his late grandfather who served overseas and met a very unfortunate fate, and whom Cumming unfortunately never met. His spotless, punctuated enunciation of the lyrics, combined with the excellent sound system at the SCPA, allowed for Joel's words to have even more clarity ....Cumming gave his take on several pop songs, backed by musical director Lance Horne and Eleanor Norton on cello, both of whom delivered exceptional and skilled accompaniment on the well thought out arrangements. A mash-up of three hugely successful pop hits, which Cumming calls "Someone Like the Edge of Firework," is a combination of Adele's "Someone Like You," Lady Gaga's "The Edge of Glory," and Katy Perry's "Firework." It is a skillfully arranged piece, with Cumming's voice achieving a rawness and showing that he can hold his own against these three hugely successful women. ...the acoustics at the Scottsdale Center for the Performing Arts Virginia G. Piper Hall were exceptional. For such a large venue there is an intimacy that elevates a personable concert like Cumming's into something even more special. The clean site lines in the stadium seating auditorium also ensure that there isn't a bad seat in the house.  Alan Cumming: Uncut featured a charming, intimate, and truly fearless performance from Cumming. It was an exceptional evening full of meaningful songs, stories, humor, and personal tales punctuated by the natural ease that Cumming has in connecting with an audience."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - FIDDLER ON THE ROOF - Mesa Encore Theatre - November 12, 2015

Jeffrey J. Davey and Kelsey Blanco
Photo by Daniel Perlmutter

Click here for more information on this production that runs through November 22nd.

"...Set in 1900s Russia, Fiddler on the Roof is about a large group of townspeople and Mesa Encore Theatre's production has a cast of 40 actors of all ages, which gives a strong sense of the community at the heart of the story. This is just one of the many highlights of Mesa Encore Theatre's well directed and solid production of this beloved and timeless musical....Director/choreographer Noel Irick lets the heart of the story come through strongly...providing an intimacy to the show... incorporates some of the signature Jerome Robbins dance steps into her choreography, including the famous wedding bottle dance, but has come up with some effective movement of her own that work extremely well, especially with such a large cast. Jeffrey J. Davey and Kelsey Blanco are very good as Tevye and his wife Golde. They exhibit appropriate behavior for a couple that is supposed to have been together for twenty five years, yet didn't know each other until the day they wed. They have strong voices and appropriate facial expressions and reactions, resulting in two well thought out performances. Davey is especially good in the several moments when he has conversations with God.
There isn't a weak link in the entire supporting cast...While the set design by Bryan Rosen is fairly minimal, it works fine. The lighting design by Zachary J. Huffman and Mickey Courtney's costume designs are superb. Huffman creates some beautiful imagery with a range of colors that paint the back wall of theatre to set the time of day and season, along with shadowy night time scenes and Courtney's period perfect costumes are an abundance of varied patterns and colors. Debra Jo Davey works wonders with her small orchestra and her large cast, achieving lovely sounds from all, including effective work from McKenna Clausen as the the Fiddler. When done right, Fiddler on the Roof is a powerful piece of musical theatre. The combination of a wonderful score, a strong sense of humor, and realistic drama effectively tells the tale of a simple man in a changing world. With a talented cast, good direction and fine creative aspects, Mesa Encore Theatre's production of this musical theatre classic is very well done."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - SUNDAY IN THE PARK WITH GEORGE - Fountain Hills Theatre - November 8, 2015

the cast of Sunday in the Park with George
photo by Patty Torrilhon 

Click here for more information on this production that runs through November 22nd.

 "Based on renowned impressionist painter Georges Seurat and his pointillist masterpiece "A Sunday Afternoon on the Island of La Grande Jatte," the musical Sunday in the Park with George includes one of Stephen Sondheim's most challenging and rewarding scores. It is therefore a difficult show to produce. Fortunately, Fountain Hills Theater's production of this Pulitzer Prize winning musical features a stellar performance from Kyle Bennett as George and clear, thought out direction that results in a deeply moving tale of the struggle that artists go through to connect with the people around them.....In act one, set in 1880s France, we find Seurat obsessed with the creation of "La Grande Jatte" and meet many of the characters who are found in that painting. Foremost is Dot, George's mistress ...Act two is set one hundred years later in 1980s Chicago where George and Dot's great grandson, also named George, finds himself in the same dilemma as Seurat...Kyle Bennett is impressive as both Georges, with a strong, clear voice and a deep connection to the character. ...It is a well thought out, cleanly acted and exceptionally sung portrayal of these two men who are very different on the surface, yet share many similar traits underneath.  Debra Qualtire is quite good as both Dot and Marie, two very different roles. Dot wants to force George out of the studio and to care less about his work to be a part of the world, while Marie wants her grandson to leave the nagging business side of the art world behind and get back to his work, which she knows is his passion. ...Director Damon J. Bolling does much with the very small space. He uses several large white panels and a scrim to project both Seurat's painting of the park and the 1980s contemporary computerized homage to it...While it may be a modest solution it still achieves the end result of blending the actor with the painting and the past with the present....However, the small Fountain Hills space provides both negative and positive aspects. While it doesn't clearly give Bolling the ability to portray the way the painting comes together, since there is so little space for George to navigate the individuals, the intimacy of the space does allow the audience to connect with the characters in a way you can't get from a larger venue...Music director Jennifer Whiting achieves a rich sound from both the seven-piece orchestra and the cast, including a deeply moving version of "Sunday" that will most likely find you holding back tears. Sunday in the Park with George is a musical that some people find difficult to like while others believe it to be Sondheim's masterpiece....One thing is clear; while it is a show basically about the art of making art it is also a musical about the painful and joyful truths about life and how love and relationships help in the creation process. While Fountain Hills' staging may be fairly minimal, the result is an ultimately moving production that allows these themes and messages to come through clearly...."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE SECRET GARDEN - Theater Works - November 6, 2015

Macie Thompson, Noah McNeil and Nathan Sheppard
photo; Moran Imaging

Click here for more information on this production that runs through November 22nd.

 " Theater Works' Youth Works is currently presenting a fantastic production of the musical The Secret Garden with a cast made up entirely of talented teenagers. Based on the classic 1911 children's novel of the same name by Frances Hodgson Burnett, The Secret Garden tells the story of a young girl and the impact she has on a houseful of adults in early 1900s England. With clear direction, a cast that does justice to the emotional breadth of the story, and just a few very small shortcomings, the end result is a touching, moving and rewarding production....The Youth Works cast includes a trio of actors delivering lead performances on par with more experienced adult actors: Macie Thompson as Mary Lennox, Skyler Washburn as Archibald Craven, and Emily Benoit as Lily. Thompson is exceptional in portraying the sour, selfish girl who finds her purpose in life. She brings a vivid sense of realism to the role and has a lovely singing voice as well. Washburn is simply stunning as Archie, instilling the role with a deep sense of pain, sorrow and longing. His strong, earthy voice works well in making Archie's many songs have a deep connection to his emotional journey. Benoit's superb soprano voice makes Lily's songs soar and the duet she has with Washburn, "How Could I Ever Know?," is heartbreaking in its purity. The connection the two have is realistic and exceptionally moving....Chris Hamby's direction brings a perfect balance between the dramatic and the few comical moments, ensuring they all land effectively. ...Hamby's direction keeps the show moving forward at an effective pace and he creates some lovely scene pictures with his staging, using all areas of the expansive stage...while most of the leads have fairly good English accents, some of the ensemble don't even attempt one, which is a bit of a negative to the effectiveness of the show. Ken Goodenberger's musical direction achieves some glorious harmonies and expertly delivered solo moments...The scenery design by Michael Armstrong and lighting design from Tim Monson are both fine, though fairly simple, and work to effectively display the various locations, though some of the evening scenes are too brightly lit and the painting of Lily that is referred to several times in the show, but only seen at the very beginning of this production, is sorely missed. Matthew Sanders' sound design delivers crisp and clear vocals throughout. The Secret Garden is a musical with a superb book and an excellent score that combine to tell an emotional story with realistic characters. The fact that a cast composed entirely of youth under the age of twenty are able to achieve such a moving production is a testament to Chris Hamby and Theater Works' superb company of talented Youth Works actors."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - ALMOST, MAINE - Theater Works - October 31, 2015

BJ Garrett and Amanda Melby
Photo by Moran Imaging / Theater Works

Click here for more information on this production that runs through November 15th.

"Featuring smart dialogue and interesting characters, John Cariani's Almost, Maine is a sweet, charming, and realistic collection of short vignettes that show the ups and downs of relationships. With an exceptional cast of four, who are more than capable of portraying the various characters, and solid direction, Theater Works' production is magical and full of heart and humor. One very chilly Friday night, the offbeat, slightly neurotic residents of Almost, Maine, find themselves tackling the many facets of love. Over a dozen scenes we meet the citizens of, and a couple of visitors to, this northern most town in Maine....Each scene focuses on a different couple attempting to navigate their way through the always confusing maze of love...Cariani has created fully fleshed out characters who deal with realistic situations....Director Richard Powers Hardt has done an exceptional job of steering his cast to achieve effective portrayals. While most of the pieces end with an ironic twist or a sweet surprise, he doesn't let his cast allow those moments to become cloying or unrealistic, and even instills many of the scenes with a profound sense of hope. Amanda Melby, Amy Garland, BJ Garrett, and Scott Hyder are the talented cast of four who portray their multiple parts with apparent ease....John Cariani's Almost, Maine is both funny and touching and Theater Works is presenting a well-crafted production of this popular play that ends up being surprising and engaging, achieved by an exceptional cast with clear and succinct direction. It may be starting to turn cold outside in the suburbs of Phoenix, but this collection of romantic stories is enough to warm the heart of any relationship skeptic."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE SMARTEST GIRL IN THE WORLD - Childsplay - November 1, 2015

Osiris Cuen and Rudy Ramirez
photo: Tim Trumble

Click here for more information on this production that runs through November 22nd.

"The strong bond between a brother and a sister is at the core of The Smartest Girl in the World, a smartly written one-act play receiving an expertly acted and clearly directed world premiere production from Childsplay.... features realistic characters and dialogue. The fact that Leo and Lizzy are both aspirational but also exhibit typical childlike traits adds layers of authenticity. Osiris Cuen and Rudy Ramirez lead an exceptional foursome as Lizzy and Leo. Under Debra K. Stevens' incisive direction, they are impressive playing these youngsters, with childlike expressions and voices, even though they are both in their twenties. Jamie Sandomire and Vinny Chavez complete the cast, with both playing several characters, from child to adult, with ease. These four actors have appeared at various theatres across the Valley and are some of the finest actors of their generation in town....Heartfelt and funny yet full of warmth, Miriam Gonzales' play includes witty dialogue and realistic characters who are full of determination and the desire to succeed. In a smart production with an exceptional cast and solid direction, The Smartest Girl in the World is another major success for Childsplay as they continue to present premiere productions of plays that resonate with children and adults alike."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE TOXIC AVENGER - Phoenix Theatre - October 31, 2015

Caleb Reese
Photo by Erin Evangeline / Phoenix Theatre

Click here for more information on this production that runs through November 22nd.

"Before they won Tony Awards for the hit Broadway musical Memphis, David Bryan and Joe DiPietro were spending time in the toxic dumps of New Jersey bringing the cult sci-fi/horror classic comedy film The Toxic Avenger to musical life. The silly, offbeat musical is having its Arizona premiere in a hilarious, exceptionally cast, and all around superb production from Phoenix Theatre.
... Bryan's rock score features upbeat, varied musical numbers with clever and very witty lyrics by Bryan and DiPietro, and DiPietro's smart book is fast paced and funny. The end result of their adaptation is a comical cross between a sweet love story and the absurd tale of a mutant freak who is just trying to save his home state...Caleb Reese exudes sweetness and charm, with an earthy voice that's full of fire as Melvin/Toxie. As the librarian Sarah, Trisha Ditsworth is ditzy, caring, smart and sexy, sometimes all at the same time, with a voice that soars to the rafters of the Hormel Theatre....As both the Mayor and Melvin's mom, Johanna Carlisle is a firecracker, full of menace and power. The duet the two characters have together is a tour de force, with Carlisle having a blast and not missing a beat throughout the challenging song. Rounding out the cast are probably the two hardest working actors in town right now, Nathaniel Tenenbaum and Lucas Coatney, who play around a dozen characters each, and play them all to the hilarious hilt....Director Michael Barnard doesn't miss a beat in achieving performances from his cast that are funny but never too broad, while always letting the sweet heart of the story beat strongly. The creative elements are superb and feature the contributions of several of the original 2009 Off-Broadway creative team from their designs for the 2012 Alley Theatre production in Houston, including Beowulf Boritt's smart and inventive set design, David C. Woolard's fun and colorful costumes, and the Toxie mask design and prosthetics by Louis Zakarian. Complementing the Off-Broadway creative team are Robert Kolby Harper's comical choreography, exceptional lighting from Michael Eddy, Terre Stead's amusing wig and makeup designs, and a rocking band expertly led by Jeff Kennedy....With exceptional creative elements, confident direction, and a cast that is having such a blast that their fun washes over into the audience, you can't help but leave Phoenix Theatre's production of The Toxic Avenger with a big smile on your face."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - TO KILL A MOCKINGBIRD - Zao Theatre - October 30, 2015

Tom Koelbel
Photo by Sharyn Sheffer

Click here for more information on this production that runs through November 14th.

 "Harper Lee's classic 1960 novel "To Kill a Mockingbird" depicts a quintessential slice of small-town America. Set during the Great Depression and dealing with racial prejudice, the novel was turned into an Academy Award winning film in 1962, and Zao Theatre is presenting a moving, well-acted production of Christopher Sergel's 1990 theatrical adaptation of Lee's beloved book....This adaptation features many of the memorable moments from the book and the film, though some of the things easy to portray on screen aren't quite able to be captured on stage....While the end result is equivalent to the novel, or film, brought to life on stage, with very little added dramatic elements, it still works and the life lessons that Scout and her brother Jem learn from the aftermath of the trial resonate today.  Director Mickey Bryce has assembled a strong cast, which includes Tom Koelbel as Atticus and a talented trio of young performers...Trustworthy, likeable, truthful, and level headed are just a few of the many positive traits of Atticus and Koelbel does a fine job of displaying them and instilling the role with a sense of assuredness and simple honesty. While it isn't an overly showy part it does include several well-written lines, including Atticus' stirring and powerful closing remarks in the trial, which Koelbel delivers perfectly. As the grown-up Scout, Carol Bennett does a nice job of instilling her narrative segments with emotion and a fine sense of recollection. And, while Bryce has cast teenagers in what were originally slightly younger characters in the book and film, it doesn't detract from the outcome, with Jacqueline Hall as the younger Scout simply lovely in her ability to give Scout a youthful sense of questioning with wide, expressive eyes and Nick Williams and LJ Deacon realistic as the rambunctious Jem and Dill. Abraham Ntonya is superb as the soft-spoken and always polite Tom Robinson, the man on trial. His testimony is simply heartbreaking. ...Like Lee's novel, the theatrical adaptation of To Kill a Mockingbird is moving and full of hope. While the play may not add anything new to the novel or film, that's understandable, as Lee's book is so powerful that nothing additional is required to make it resonate and be relevant. Zao's production features nice creative designs, clear direction and a wealth of strong performances. The end result is a powerful testament to the timeliness of Harper Lee and the iconic characters she created."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - SONDHEIM ON SONDHEIM - Scottdale Musical Theater Company - October 29, 2015

Click here for more information on this production that runs through October 31st.

Stephen Sondheim is considered by many to be the greatest living American musical theatre composer. ...There have also been numerous revues of his musical contributions, the latest being Sondheim on Sondheim which is receiving its Arizona premiere in a smart, solid, and often moving production from Scottsdale Musical Theater Company....While the other revues of his work have featured the many hits that he has written, Sondheim on Sondheim is the first one that includes Sondheim himself. Through the clever use of pre-recorded video pieces’some recorded specifically for the 2010 Broadway production along with archival footage of Sondheim on various TV shows’Sondheim is incorporated throughout the show to provide information on his life, his working habits, his music, and the creation process....the inclusion Sondheim himself as part of the show adds a unique way to get to know the man behind the music along with the experience of hearing dozens of his songs. ...While the show does have a few downsides, including the fact that sometimes the video segments break up the flow of the show and that some of Sondheim's major works, including Sweeney Todd, are barely represented, the video segments are always informative and the songs that are included add to the context of the piece by providing a background in to the creative process. The cast for SMTC's production is just about perfect, with varied singing styles and featuring a nice mix of performers of different ages. ...Nicole Bond... excels in several numbers, including a touching delivery of "Send in the Clowns" as well as two lovely duets. Her performance of "Beautiful" from Sunday in the Park with George that she sings with Michael Schauble is exceptionally moving. A nicely crafted pairing of "Not a Day Goes By" from Merrily We Roll Along and "Losing My Mind" from Follies, which is sung by Marina Blue Jarrette, is remarkable in how the delivery of Sondheim's succinct lyrics about love in its many shapes and forms combine so beautifully and simply....Jarrette shows off her clear, strong voice throughout, including delivering a fun "Ah, but Underneath" from Follies, and Schauble exceeds in bringing out the emotion within the humor of "Franklin Shepard, Inc." from Merrily We Roll Along. Alex Crossland's smooth voice excels on "Being Alive" from Company as well as on "Is This What You Call Love?" from Passion. "Finishing the Hat" from Sunday in the Park with George receives a stirring performance from Matt Newhard, full of passion and understanding of the creative process. Curtis Moeller, Lindsay Newhard, and Chelsea Janzen round out the cast with each getting a moment of two throughout to show their strong vocal skills. Hector Coris' smart direction includes ...just enough choreographed moments to provide variety to the evening. Coris is able to achieve exceptional performances from his cast which is exemplary, considering that, with just a few sequences where a few songs from a single show are used, all of the numbers are taken out of the context of their respective shows. This is both a testament to Coris' directorial skills as well as Sondheim's ability to write lyrics that are clear, clever, specific, and full of meaning....Both informative and entertaining and including solid performances and direction, SMTC's production of Sondheim on Sondheim will give you a better understanding of the creative process behind making musicals as well as an even greater appreciation for Sondheim himself."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE HAUNTED - Actor's Youth Theatre - October 23, 2015

Laurynn Allen
photo: Lisa Webb / Southwest Shots Photography

Click here for more information on this production that runs through October 31st.

"For a creepy and spooky Halloween experience...Actor's Youth Theatre's production of The Haunted is a welcome addition to the traditional Halloween haunts. Based on Robert W. Chamber's classic short story "The King in Yellow: The Repairer of Reputations," author and director Marcus Ellsworth has crafted a mostly original piece with plenty of chills, ghostly characters, and murderous acts. While there are a few negatives, including some confusion in the overstuffed plot, the end result is a fun and often frightening theatrical treat.  Told over three generations, Ellsworth sets the piece mainly in a haunted English summer cottage where the inhabitants become possessed if they read the second act of the bound play "The King in Yellow," a copy of which just happens to always be readily available in the house. ...While Ellsworth uses a couple of Chamber's characters, most of the piece is original, with Ellsworth creating several generations of characters who are relatives to the ones in the original story. The plot is fairly well paced with realistic dialogue and also includes several well written moments that are eerie and disturbing....However, with dozens of characters, a couple of whom are confusing as to exactly what their relationship to the plot is, and with several scenes in the first act that aren't clearly flashbacks or not, a few slight revisions and a small amount of editing and clarification would make the overall effect even better....Ellsworth also directs and achieves believable and haunting performances from most of his cast, though a few of the young cast members should project more in order to be heard better. As Rachel, the daughter of the author of "The King in Yellow" play who serves as a ghostly narrator, Laurynn Allen is superb, not only in her even-measured and spooky line delivery but in the way she floats across the entire theatre, just like a ghost. It is a haunting performance. ...Ellsworth's direction creates plenty of spooky scenes, with superb, evocative, and dim lighting from Tom Fitzwater that adds considerably to the effect. ...Julie Clement's costumes are perfectly gothic in nature and Cheri Lundgreen's extremely creepy makeup is the icing on this cake of demonic horrors.  While there may be a few plot points and characters that could be clarified, Actor's Youth Theatre's production of The Haunted makes for a fun Halloween theatrical outing, full of spooky elements and chilling moments, and illustrates a good first play by director Marcus Ellsworth."   -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE MERRY WIVES OF WINDSOR - Southwest Shakespeare Company - October 22, 2015

Stephen Hotchner, Emily Mohney, Jesse James Kamps and Clay Sanderson
Photo by Michael Simon / Southwest Shakespeare Company

Click here for more information on this production that runs through October 31st.

"It's been over four hundred years since William Shakespeare's first play premiered, so it's understandable why some theatre companies change the time period or setting in order to add a fresh spin on one of Shakespeare's classic plays. While most of the updated productions of Shakespeare's work that I've seen haven't been completely successful, Southwest Shakespeare Company's The Merry Wives of Windsor, turned into a 1950s sitcom, scores on just about every front.... poor and pompous Sir John Falstaff... attempts to seduce two wealthy married women, Alice Ford and Margaret Page, but ends up being made a fool by both. Meanwhile, Frank Ford, the extremely jealous husband of Alice, who believes she is being unfaithful with Falstaff, disguises himself and hires Falstaff to prove his suspicions...Director Ben Tyler skillfully instructs his cast to play their parts in the exaggerated style of a classic TV sitcom set in 1959, with added, and fun, commercial breaks for "Falstaff Beer" at a few of the scene changes.... Jesse James Kamps is stellar in playing the jealous husband Frank Ford. Kamps appears to be relishing this opportunity and his exaggerated expressions and comical body language add to the fun when Ford's insane jealousy overtakes him. As Falstaff, Peter Good is quite good and...actually makes you sympathize with him as to all that Falstaff is put through.  Emily Mohney and Jordan Letson, as Alice Ford and Margaret Page, are adept in portraying the typical 1950s mom and wife and, though they don't quite become Lucy and Ethel from "I Love Lucy," they make a fun duo who band together in several funny set-ups to deal with both Falstaff and Frank Ford's mischievous plans... Costume designer Maci Hosler's period-specific outfits dress the cast in superb stereotypical outfits of the period that are colorful and bright, while hair and make-up designer Sasha Wordlaw's contributions elevate the end result of each character beautifully. I especially like how the costumes and hair designs for Mohney and Letson make them appear to be stand-ins for Lucille Ball and Donna Reed, how Anne is a typical bobbysoxer, and that two of her suitors, Wanless and Cahoon, are played as if they are a 1950s nerd and jock. Leroy Timblin's set design is a colorful mock-up of a TV sitcom set. The only thing missing is a TV camera and laugh track.  With a fast pace and tightly choreographed stage direction to keep the play moving along at a quick clip, and fun performances from the entire cast, Southwest Shakespeare Company's The Merry Wives of Windsor makes for a fun TV sitcom on stage."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)

theatre review - THE BOOK OF MORMON - National Tour / ASU Gammage - October 21, 2015

Alexandra Ncube
photo: Joan Marcus

Click here for more information on this production that runs through November 8th.

"After running for over four years on Broadway and three years on tour, the smash hit musical The Book of Mormon finally makes it to the Phoenix area, and it is well worth the wait. The musical by Trey Parker, Matt Stone, and Robert Lopez swept the 2011 Tonys, winning nine awards, including Best Musical. While the show has been called "filthy" and "offensive" it actually is a charming, sweet, and exceptional musical that doesn't just mock the Mormon religion but celebrates it as well. It is also a show with a huge heart, and the national tour production, playing at ASU Gammage in Tempe through November 8th, is on par with a Broadway production, led by an exceptionally talented cast....The problem in seeing this show after hearing so many good reviews and knowing that it has been called "vulgar" is that the end result may not live up to the initial expectations. ..So, perhaps it's good to know what The Book of Mormon isn't. It isn't as crude as it has been hyped to be. While it does mock religion and the Mormon faith it isn't mean spirited toward them and portrays the members of the Mormon religion as real people, not caricatures. Is it the funniest musical ever? While there are numerous moments that are very funny, it isn't a laugh out loud show from start to finish. Does it have a great score that will have you humming the songs on your way home? There are definitely some toe-tapping numbers, but also a few that aren't that memorable. Is the story creatively well crafted and does it break new ground? While the plot can pretty much be described in one sentence it does have characters who grow and change along with a nice pay off, but it isn't a ground-breaking musical like Les Misérables. But what The Book of Mormon does have is a bringing together of all the elements to make a sweet, charming musical that makes fun of organized religion and celebrates it at the same time. ..The three leads for this national tour are exceptional and the ensemble is given a lot to do. ...Billy Harrigan Tighe and A.J. Holmes are the two missionaries. Holmes is Elder Cunningham, a nerdy, goofy slacker who hasn't even read the actual "Book of Mormon" that he is supposed to be knowledgeable of, and he sometimes makes things up in order to be more likable. Tighe is the Ken-like, handsome and charming yet completely self-centered overachiever Elder Price, who basically thinks everything is about him. ...ASU graduate Alexandra Ncube plays Nabulungi, the daughter of the leader of the Ugandan village. Ncube has a phenomenal, clear voice and great stage presence with both of her co-stars as well as with Stanley Wayne Mathis who plays her father....The national tour of The Book of Mormon has a great cast and the musical has a funny book, a score with several show stopping numbers, is well directed and choreographed with imaginative set pieces, and leaves you with a smile on your face. For a musical that attempts to mock and celebrate religion at the same time The Book of Mormon succeeds, and actually accomplishes the task of mocking something better than most episodes of "South Park," as it does so with a huge dose of sincerity. While there is plenty of vulgarity and a couple of shocking moments, it is also an extremely enjoyable musical with a huge amount of heart. The end result is a funny, touching, and memorable show."  -Gil Benbrook, Talkin' Broadway (click here to read the complete review)